I will always continue to express, that this piece of writing, is only that; a piece of writing composition. In writing, one may trace different elements and encounter crevices into realms like: philosophy, sociology, psychology, social anthropology, literature (poetry & fiction), etc. However, at the end, the sole intention behind the act and the craft is that; within the human activity of writing.
The activity and profession and job of writing, now being accepted it´s actors into medical schools, law schools and management MBA schools, -due to its liberal arts emphasis and social values humanity needs.
Throughout the book we will remind the reader with pointers or with telegraphic symbols or premonitional hints, like Hollywood does, but with style of this fact. To assent and confirm not the arguments and thesis of this book or essay, instead to denote that human communication mainly film and much art, including comics in itself, and inside abstract or conceptual human artistic expressions, that to tell a story; in a performance, an installation, digital art, etc. is part of confirming human presence efficiently and realistically on this planet.
Communication as information outside the story element, divagates, meanders and meddles in memory and we are even if conceptual or metaphysical, -a historical species. No art form, as it can attain new frontiers of expression, escapes narrative or poetic writing, even sculpture progresses from a turning point of creation in its making, based on the story of an idea, an invention, a message, an insane object (as sublime as it can be), a proposition, a concept (that when extended), always hoola hoops amongst a story.
A given thesis plot or argument in an essay book or other genre, is a core or "hard nucleus" to process, progress and install, an original piece of writing. This book tries to evolve into its making, the content that relays like a switch, our romance with the future and time and space, and our struggle to survive withing chance and necessity; as we create and unfold our own circumstances and the laws of our reality evolve and print through time their presence, and much of their own personality. As issues, news, statements & reasons, a much too much debate we need in the possibilities of change within crisis, all the points of encounter, the resolution of global contradictions, far from hate or "love" used as opium. Vulgar "communism" does the same thing with your brain.
This genre has exposed, tries to express different reflections on social issues and sometimes will touch upon the exact(o) physical sciences related to thought (cosmology) and (ontology). In other words, it will receive any pivotal branch to make the point, without falling into any funnel or manifesto. Political terms will be addressed only when needed, for every man and woman is a political being as Plato said, that which is inevitable.
And, those hysterical citizens who "pretend" and "act" as in a movie but with no money, that they are a non-or-apolitical entity is no more than an illusory marketing contradiction and a false smile; because right down to i.d. number or license number you are already classified by your genealogy and bioepic into politics before you were born, into more of the horror as Brando once cried.
THE HORROR, THE HORROR, MARLON BRANDO.
Author´s intention, a fallacy? Yes! There is one here. Our first and last fallacy is life before immortality...
The pragmatic use or exacerbation or prepackage and ready-to-go advertised "pseudo-romance" is also a cybernetic tool for those who believe it. Love and romance need not to be publicized like a pop-soda or popcorn box, it is quite a natural element that evolves spontaneously, without manipulation -into and within human conscience.
The necessity of filmmakers to express romantic themes is a human necessity, which began in film history with a noble nature; for example the legendary kiss of Burt Lancaster and Deborah Kerr in "From Here to Eternity". Many human concepts like love, romance, hatred, resentment, class struggle (the motor of history), etc., are now being used in film to install new premises of control over the groups in the world inadvertent and uninformed of what´s happening in the realms of ethereal talks and artistic management.
You can use human sentiment and other media and sociological conduct for values and elements, all you want, to stretch out the permanence of convenience larger or smaller groups in the unequal inequality of the equal. However, the same group in control and being controlled does not control each other (laughs). There is a slight and delicate lapse or breach of communication, spontaneous and intimately generating division, and in other cases a unity where it is convenient. That´s why we have convenience stores all over the world even in Vietnam.
The same instrument or tool and personal philosophy of free-will or free-wheeling, doesn´t allow these joysticks to have a complete clasp of conduct. The conduct is the future of change for the a common good? I do not know, what do you think? For common sense is claimed now more than ever, and the rebound of catholic and religious values, as they instill...
Another movie, "American Gangster" with Russell Crowe and Denzel Washington who is whiter than Crowe or Condoleeza Rice or even a struggler for freedom: President Barack Obama, as this film was directed by Ridley Scott; is a classic already. It contains excellent edition, direction and camera movement, and of course, screenplay. What would Hollywood do without Writers?
In the first five minutes of this film when Gumpy dies of a heart attack, expressing his lament over world global management in the 60´s and 70´s - pertaining to the present and, recycled with different phrases, images and news, in our actoral world.
Much is to be done - society is film and film is society - fiction is just an experimental allegorical illusion. (laughter).
(end of prologue)
notes: Secretary of State Condoleeza Rice is an academic and statesman. She plays concert piano and speaks fluent Russian, and is a key figure in american political history.
Russell Crowe is Australian and a great actor.
Denzel Washington a world talent, an intelligent artist and communicator.
written in Caracas, Venezuela, copyright(c) by Carlos E. Mijares Poyer, 2007. 5:30 p.m.-
However, I never post my best writing on the internet, sorry...I will.
It is interesting to gather in this realm of globalization, the consequences and nature of predicting the future. Practically-pragmatically-in utilitarian philosophy from William James, James Dewey, William Pierce, etc.; the production of audiovisual-cinematographic multimedia material, products and services, has been within the tendency and at a pivot, of trying to predict and shape, the future. Who puppeteers the puppet and who puppets the puppeteer? Who teaches the teacher?(...)
The necessity of filmmakers to express romantic themes is a human necessity, which began in film history with a noble nature; for example the legendary kiss of Burt Lancaster and Deborah Kerr in "From Here to Eternity". Many human concepts like love, romance, hatred, resentment, class struggle (the motor of history), etc., are now being used in film to install new premises of control over the groups in the world inadvertent and uninformed of what´s happening in the realms of ethereal talks and artistic management.
You can use human sentiment and other media and sociological conduct for values and elements, all you want, to stretch out the permanence of convenience larger or smaller groups in the unequal inequality of the equal. However, the same group in control and being controlled does not control each other (laughs). There is a slight and delicate lapse or breach of communication, spontaneous and intimately generating division, and in other cases a unity where it is convenient. That´s why we have convenience stores all over the world even in Vietnam.
The same instrument or tool and personal philosophy of free-will or free-wheeling, doesn´t allow these joysticks to have a complete clasp of conduct. The conduct is the future of change for the a common good? I do not know, what do you think? For common sense is claimed now more than ever, and the rebound of catholic and religious values, as they instill...
Another movie, "American Gangster" with Russell Crowe and Denzel Washington who is whiter than Crowe or Condoleeza Rice or even a struggler for freedom: President Barack Obama, as this film was directed by Ridley Scott; is a classic already. It contains excellent edition, direction and camera movement, and of course, screenplay. What would Hollywood do without Writers?
In the first five minutes of this film when Gumpy dies of a heart attack, expressing his lament over world global management in the 60´s and 70´s - pertaining to the present and, recycled with different phrases, images and news, in our actoral world.
Much is to be done - society is film and film is society - fiction is just an experimental allegorical illusion. (laughter).
(end of prologue)
notes: Secretary of State Condoleeza Rice is an academic and statesman. She plays concert piano and speaks fluent Russian, and is a key figure in american political history.
Russell Crowe is Australian and a great actor.
Denzel Washington a world talent, an intelligent artist and communicator.
written in Caracas, Venezuela, copyright(c) by Carlos E. Mijares Poyer, 2007. 5:30 p.m.-
However, I never post my best writing on the internet, sorry...I will.
CHAPTER I
It is interesting to gather in this realm of globalization, the consequences and nature of predicting the future. Practically-pragmatically-in utilitarian philosophy from William James, James Dewey, William Pierce, etc.; the production of audiovisual-cinematographic multimedia material, products and services, has been within the tendency and at a pivot, of trying to predict and shape, the future. Who puppeteers the puppet and who puppets the puppeteer? Who teaches the teacher?(...)
JOHN HURT AND RICHARD BURTON IN ORWELL'S 1984
Well, for me this Prologue and Fist Chapter is absolutely amazing!
ReplyDelete